The development of painting through the classical, modern, modern several times and in different times during the painting art of thinking is being affected by control and constraint techniques, showing a different aspect.
Conditions of the early history of oil development has laid a classical realist painting tendencies. 15th century European Renaissance, the humanist thought out criticism of religion, with attention to the positive requirements of social reality, and many famous artists in order to gradually get rid of a single creative theme of the Christian classic, beginning when the characters life , landscape, painted items, and direct observation, so that works with religious themes with a clear and present secular factors, some artists depict real life completely real. Renaissance painters inherited Greek and Roman art the idea that not only focus on work to describe an event or fact, but also to reveal the causes and effects of events or facts, so pay attention to the idea of forming a typical image of a typical plot and the art of shaping the way . At the same time, artists were also exploring anatomy, perspective drawing of the use of science in the picture the role of light and shade, forming the shape of scientific principles. The use of human anatomy so that character has been painting as accurate as the ratio of the real, physical, structural; Focus Lens with the establishment of the composition formed by painting the illusion of deep space, painting in the landscape orientation and the reality of the moment the same visual experience; shading painted the unity of the images sent in one of the main light source, formed by the clear level of near and far. Art theme of humanism and the pursuit of realistic painting style concepts in other species it is not perfect, because the tool material constraints, and painting tools and materials are suitable for the performance of two fully reflected. Thus, classical oil painting after a long-term production, highly realistic look.
Classical oil painting oil painting is the language in the overall factors were the result of the integrated use of the time, but different countries and different periods of the artist on the basis of a special focus on one or several factors, the formation of a different style. Italian Renaissance painter pay more attention to the use of shading, dark objects in a painting of the Ministry of shrouded in shadow, light and dark boundary line was a soft transition, creating a focused and unaware of the effect of the screen. L. da Vinci’s “Madonna of the Rocks” is representative of this style. Netherlands the same period a clear portrait of the artist is all detail objects in a painting, the scene rather than the difference between light and dark color of the transition, R. Campion’s clover altar painting “Annunciation” to detail all the indoor and outdoor show features. Italy, Titian was the first one special focus on oil painting color performance artist, he painted on a dark base, and often close to the brightness, hue, the bright colors slightly different form magnificent golden hue, transparent pigments multiple cascade, suddenly suddenly thin thick strokes, but also the fusion of organic colors and shapes, creating a textured effect.
17th century European classical paintings of the period of rapid development in different regions, the country’s artists live in a society based on their background, national temperament, the painting carried out in different languages to explore the deep, the type of oil paintings by subject matter into historical painting, religion story of painting, group portraits, personal portraits, landscapes, still lifes, genre painting and so on. Painting techniques are also becoming more abundant, and formed a national, regional school of thought.
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